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All posts by heidi.skarie@gmail.com
I am a member of the Visionary Fiction Alliance on Facebook because my novels are in the Visionary Fiction genre as well as the historical or sci-fi genres. Visionary Fiction is a relatively new genre and has a crossover with Spiritual Fiction. On the Visionary Fiction Alliance site, some authors shared ideas of what Visionary Fiction means to them.
Theresa Crater, author of said:Beneath the Hollowed Hill
“I was recently invited to a book club and one of the women told a story about her experience walking into the Holocaust Museum in Israel. She said she was drawn to a particular corner and as she walked toward it, she knew what she’d find. She knew the names of those who’d been killed. Knew what the place looked like before she saw the pictures. She felt that she’d been in that place in a past life or somehow was spiritually connected to those people. Then she told me she’d always dismissed that experience because she didn’t think humans could have that kind of knowledge – until she read my book.
“Visionary Fiction affirms people’s spiritual experiences and offers a vision of possibilities. It does this without a lot of dogma. It teaches spirituality without preaching or requiring people to join a group. It portrays old traditions that have been lost or repressed, widening people’s ideas of religion and human potential. Plus, it’s fun to read and write.”
What Crater says is true. A story can validate a person’s own spiritual experience. It should be done in a way that doesn’t preach yet lets the reader draw their own conclusions about the character’s experiences.
My historical fiction novels are based on my own remembrances of past lives, but are written in such a way that it’s good entertainment, whether or not you believe in reincarnation.
In my sci-fi books, some characters have past-life remembrances, out-of-body experiences, or a near-death experience. These episodes lead to the characters growing and changing from their experiences.
Another quality mentioned in the Visionary Fiction Group was at the end of the book the reader should be uplifted in some way. I feel this is important. Even though the characters go through many challenges, they should show courage, perseverance and triumph in some way. I also like to include an element of love, both divine and human, and a character who serves as a spiritual teacher or mentor for the main character.
What books have you read that are Visionary Fiction? Are you attracted to uplifting stories?
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One the way Home: Walking the Road to Personal Freedom by Robert Munster.
In the dedication, Munster states the purpose of the book. “This piece of work is dedicated to all those souls who are trying to find their way through the myriad complexities of this life and become free to choose their own lives’ paths.”
In the forward, he elaborates. “Many wise souls have taught us over the centuries that it is our personal responsibility to find our own way home… it is still up to each and every one of us to discover our own journey homeward.”
Munster worked for thirty-five years as an occupational therapist in medically related settings. In this book he shares some of what he has learned.
The chapters in the book include such topics as Ancestral Chains; Change, the Only Constant; Facing our Fears; Power and Control and The Dance of Relationships.
Each chapter begins with Munster’s ideas on a topic then he tells a story to illustrate his premise. He ends the chapters with a summary of the important points he made.
For example in the chapter Change, the Only Constant Munster says everything changes: the weather, the seasons, our bodies, feelings, friends, our attitudes, and beliefs. Munster poses a question. “How can we remain open to change, yet integrate the results into a life of peace, comfort, and joy?” Munster gives an example of a couple who raises their family and saves for their retirement but then one of them has a severe stroke and their savings is drained. The security they’d saved for is gone.
“So, what do we do? Live in fear of destruction or the possibility that something bad is going to happen or do we create the kind of life we really want to live.” p. 36
Munster suggests that when we seek out opportunities to change and grow life becomes exciting.
Munster also suggests journaling and goal setting to promote awareness and change. At the end of the day you can write down what happened during the day: what you did, felt, thought, learned and know and then set goals for the next day. This is to put you in touch with different aspects of yourself. You can also document your experiences of the past week, then decide what you want to change.
Change gradually becomes normal. Instead of saying “’Why is this happening TO me?’… What would happen if we changed this to ‘Why is this happening FOR me?’” or ‘What is this experience teaching me?’ or ‘Why do I need this experience?’” p. 50. This shifts the way we look at life’s events.
Munster concludes the chapter with these thoughts. “Once we begin to accept the responsibility for our own situations and do something about those things that inhibit our growth, real changes start to unfold. When an individual takes an active role in creating more of what he/she wants out of life, the magic begins.” P. 52.
Another interesting chapter is Facing Our Fears. In this chapter Munster states that everyone is afraid of something whether physical, emotional, or mental. “Fear prevents us from being free.” P. 53.
Munster says that many of us have fears that we don’t understand. He suggests that the fears often come from past lives. How we perished in another life may carry over like a fear of spiders or snakes or heights. Fears serve to protect us, but they can also hold us back. At some point “a door of opportunity opens for us. We can choose to walk through and challenge that fear.” As we grow we are able to handle more difficult situations.
Munster eventually realized he was Soul and nothing could kill him as a spiritual being. He also realized nothing can withstand the power of love. “When we do face and conquer, or live with, a fear, we gain another step on our way home. We become freer.” P. 65.
The book ends with “What is Next?” in our search for freedom and trust—we simply need to be ourselves. Gratitude and humility are essential traits as we continue on the path and doors will continue to open to more freedom.
If you are a seeker of truth and want a more meaningful life, you’ll enjoy this short, easy to read book packed with spiritual ideas.
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Timeless Diego and the Rangers of the Vastlantic by Armand Baltazar is a fun read that is illustrated with over a 150 full-colored paintings. Baltazar is a visual storyteller who has worked for Dreamworld studios, Walt Disney and Pixar Animation.
Earth had a rupture of the time-space continuum and a new world was born where there are enormous robots, dinosaurs, wooly mammoths, and buffalos as well as new land masses.
The story is told in first-person by Diego, a middle school boy who just turned thirteen. His mother is a famous fighter pilot and his father is New Chicago’s top engineer. Diego’s father is kidnapped and Diego and his three friends join mercenaries who’ve been hired to rescue him.
Diego is a delightful character. Full of courage and resourcefulness, but at
times impulsive. The story is a coming of age story and tests Diego and his three friend’s mettle as they realize there are much large stakes than rescuing Diego and his friend’s fathers.
As the story unfolds, Diego discovers he has secret talents, why his father was kidnapped, and the terrible fate that awaits the children of the world, if he fails in his mission.
The book is geared toward a middle school and high school audience, but as an adult, I enjoyed reading this fantasy adventure full of lively, colorful illustrations.
This book is the first in a series and was an ambitious project. Well done Baltazar.
Mercedes Rochelle has written a fascinating novel about Earl Godwine whose son, Harold Godwineson, became the last Anglo-Saxon King of England. I recently interviewed her about the novel. In the interview, she tells about her interest in real people who lived in the past and the challenges of writing about events that took place a 1000 years ago.
Mercede’s Tapest
Q: You write historical fiction. What about this genre attracts you?
It’s ironic to me that I fell in love with historical fiction without really understanding that it was a genre! All the way through my college days, I gobbled up all the Sir Walter Scott and Alexandre Dumas novels I could get my hands on. Then one day, as I was reading “The White Company” by Arthur Conan Doyle, I realized that I was trusting them to give me a history lesson the easy way (I thought I didn’t like history until I was well into my college years). When I started writing, I decided to carry on the tradition. Then I discovered the concept of genre.
Q: If you were to describe your writing to someone who hasn’t read anything by you before, what would you say?
I aspire to the sub-genre of Historical Fiction that we call Historical Faction. I like to write about real people and real happenings; my style is to put flesh on the bones of the events we read about in history books. What motivated these people? How do we get from point A to point B? History often tells us what happened; I like to write about where, when, how, and why.
Q: What is Godwine Kingmaker about?
Earl Godwine was a self-made man who came to power in the reign of Canute the Great. He became the most powerful earl in England, and more importantly, the father of Harold Godwineson, the last Anglo-Saxon king. Without Godwine there never would have been a Harold II, for they were commoners and came to power strictly on the basis of merit. But Harold was the second son, and Godwine wasted a lot of effort on his eldest son Swegn, whose misdeeds derailed his best efforts and brought shame on the whole family. Godwine loved Canute, but when the Danish king died unexpectedly, his life was never the same. Along with his power came a struggle to keep his enemies at bay, and eventually his disappointments took their toll, leaving his legacy to Harold.
Q: At what point in writing the book did you come up with its title?
I came upon the moniker Kingmaker early in my research. I doubt he was called that in his lifetime, but some historians were happy to call him that and I think it stuck. Because he was the Earl of Wessex, his support was critical to Canute’s successors and especially to Edward the Confessor, who was a stranger to England and needed guidance.
Q: Where is it set and how did you decide on the setting?
In eleventh-century England, I had to get used to the idea that there were very few stone buildings; that came later, with the Normans. Hence, not many residences survived. Also, I had to figure out where Godwine lived. Wealthy noblemen owned hundreds of manors all over the country. I’m sure I’ve “missed the boat” locating local references to Godwine, since I don’t live in the UK. As it turned out, finding Bosham (in West Sussex) turned out to be surprisingly easy, because this is the spot Harold departed from on his ill-fated visit to Normandy in 1064, It is actually depicted on the Bayeux Tapestry. Local legend suggests that Canute also built a residence in Bosham, possibly on the foundations of a palace used by Vespasian (future emperor of Rome).
London was a lot tougher for me. Westminster Abbey wasn’t built until Edward the Confessor came along, so that location was still known at Thoney Island (sounds attractive, doesn’t it?). I had to stay inside the old Roman Walls, and discovered that Canute probably used the old palace between St. Paul’s and the Thames, built on the same spot as the later Baynard’s Castle. It might have been easier to place my scenes in a generic building, but finding real references—even if they are gone—adds legitimacy to the story. Of course, it’s not always possible.
Q: Tell us a little about your research.
Finding historical sources for events 1000 years ago is challenging, to say the least. For instance, there are no first-hand accounts of the Battle of Hastings. This is why so many people use the Bayeux Tapestry as a source, stylized though it is; at least the seamstresses were probably around when William invaded. For the rest, we are reliant on chronicles written by monks—many of whom were given second-hand information. And of course, some of them were biased—especially against men who offended their religious sensibilities. So the “source material” we must use—with the exception of the Anglo-Saxon Chronicle—was written at best a couple of hundred years later. And the Anglo-Saxon Chronicle’s entries are maddeningly brief. We have Norman sources that contradict English sources. In fact, most of our sources contradict each other, depending on their agenda. A good “modern” historian, especially my favorite, Edward A. Freeman (OK, he was a Victorian), will document all the different angles. The novelist (me) gets to pick the version I like best.
Q: Can you give us an example?
My hero, Earl Godwine, had many admirers and just as many detractors. There was a terrible event that nearly destroyed his reputation, and to this day no one agrees on what happened. After Canute died he was succeeded by his eldest son Harold Harefoot. Queen Emma’s sons Edward and Alfred (sons of Aethelred the Unready) were exiles in Normandy, and decided to test the waters, so to speak. Alfred landed in Wessex with a small following, only to be apprehended by Godwine. While still in Godwine’s custody, Alfred was arrested on order of the king, his companions were killed or enslaved, and Alfred was taken to Ely and blinded. He soon died of his wounds and Godwine was blamed for the heinous deed. Some said Godwine did it himself, some said he did it under orders; others said Godwine willingly turned Alfred over to the king’s men and had nothing to do with the murder. Some said Harold’s men forcibly removed Alfred from Godwine’s custody. Edward (later the king) blamed Godwine; that much is certain. As you might expect I selected the last interpretation; I can’t see any motivation for Godwine to do such an explosive deed, which would certainly not enhance his prestige.
Q: Which scene did you find the most challenging to write and why?
It seems to be a maxim that every novel must have some kind of romance, and any romance must start out as some kind of conflict. Actually, Godwine and his wife Gytha seem to have had a good marriage considering how many children they produced. On the other hand, Gytha was a noblewoman and Godwine was a commoner. Why would she be willing to marry under her station? This really bothered me, until I saw the opportunity to explain why things went so wrong with their eldest son Swegn, who was really a black sheep. If Gytha was forced into marriage with Godwine, she could very well resent her first born and reject him. I had a hard time putting this together and I guess I did it too well, judging from the hostile comments toward her in my reviews!
Q: Regardless of genre, what elements do you think make a great novel? Do you consciously ensure all of these are in place?
What I look for in a novel is movement, flow, and imparting details in a way what flows into the narrative. I want a page-turner. I don’t want to spend a lot of time reading background information. There’s a way to spoon-feed attributes or imagery without slowing down the pace, and I try to concentrate on sneaking it in. I like pithy dialogue that makes me think. I also like shorter paragraphs than some authors tend to use; it can be exhausting reading too many long paragraphs in a row. I try to mix long and short sentences, which I think looks better on the page. I have my own personal judgment as to whether I like a novel or not. If I can read it on the treadmill and forget about the time, the book is a winner!
Q: John Irving says you can’t teach writing. You can only recognize what’s good and say ‘keep doing that.’ Do you think that’s true?
Only after you’ve been practicing for a while. I’m a firm believer that the more you read, the better you’ll be able to write. I get my best inspiration about “flow” from reading the old masters. It’s not easy to go back and read stuff I devoured in my formative years, but when I do, I recognize the greatness of these classic authors. Some, like Dickens, seem old-fashioned now, but I recognize the power of his third-person omniscient point of view (which I’m agonizing over during my current work-in-progress). Or Dumas, whose characters leap off the page with their remarkable characterizations. How can you not love d’Artagnan—that artless, clever, flighty, honorable, attractive bundle of contradictions? I think without those old mentors I never would have absorbed the complexities of the historical novel.
Below is a trailer of Godwine kingMaker:
Trailer: https://youtu.be/tbaEcHQP4nA
Merecedes’ Website: http://www.MercedesRochelle.com
Godwine Kingmaker is on sale on Amazon in October for $0.99, so if this interview peaked your interest, grab a copy.
Amazon link: https://www.amazon.com/Godwine-Kingmaker-Great-Saxon-Earls-ebook/dp/B00UMARTCU
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The Lost Kingdom
England’s history is of special interest to me since it is my ancestry. My novel, Annoure and the Dragon Ships, opens in 794 A.D. on the east coast of Northumbria, Saxon England, during the second Viking raid on St. Paul’s church and its twin monasteries.
Recently I discovered a BBC, British history, series on Netflix. The story takes place in 871 A.D. In the intervening 77 years between the beginning of the Norsemen’s attacks to 871 A. D., the Saxon swept through Saxon England and conquered all but Wessex in what is now southwest England.
The story is told through the eyes of Uhtred of Bebbanburg, Alexander Dreymon. As a boy his father is killed in a battle of the Saxons against the Danes. Uhtred is taken captive by the Dane Earl Ragnar who later adopts him. When Uhtred is a young man, an angry Dane (who was banished by Ragnar) attacks and kills Uhtred’s surrogate family.
Horrified by the death of his family, Uhtred wants revenge. He also wants to regain his ancestral lands, but doesn’t have the means to accomplish either of his goals. He’s a man caught between two worlds, the Saxons and the Norsemen, and he isn’t accepted by either.
I found myself caught up in the story. It is high budget with attention to historical detail in such things as clothing, hair styles, housing, Viking ships and weapons. The characters are complex, three-dimensional people and the plot is complicated with many twists and turns.
One of the more interesting characters is King Alferd, David Dawson. He was an important Saxon king and held back the Saxons from taking Wessex. He was a remarkable man for his time because he went to Rome twice and could read and write English and Latin at a time when few of his contemporaries could read. He was responsible for raising the level of culture in England. He also had a vision to unite all the regions into one country.
King Alferd is a pious Christian man, whereas Uhtred believes in the Norse Gods. Their difference in beliefs is a source of conflict between the two men because the king needs Uhtred, who is a great warrior, but he can never trust a pagan completely.
The two seasons of the show were released in 2015 and 2017. Netflix joined BBC to make a second series. It’s yet to decided whether there will be a third series. The shows are based on a series of novels by Bernard Cornwell. Cornwell descended from one family line of Uhtred of Bebbanburg, of which there were several. Little is known about Uhtred, so Cornwell created a fictional account of his life.
I highly recommend this series. As in my book, it shows the clash between the Saxons and Vikings in their religious beliefs, customs and the way they view the world.
Please note: The show isn’t for everyone. It has graphic scenes of violence and sex, so much so that I found myself turning away at times.
https://www.netflix.com/title/80074249 (trailer for The Last Kingdom)
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You Can Never Go Wrong By Being Kind: 101 Inspirational Stories of Kindness & Generosity
By Zeal Okogeri
Exceptionally positive and encouraging, this book contains compelling true stories by 67 authors from around the globe, and from all walks of life, who have united to share their personal experiences with the transformative potential of kindness.
Within each story is a gift for you. As you are transported around the world by these extraordinary stories, you’ll be gifted with wisdom, love, compassion, forgiveness, hope, laughter, gratitude, acceptance, and the awareness that life is not possible without kindness. As you read these stories, you will learn how to:
• Be happier and live a fuller and more satisfying life by practicing kindness
• Recognize opportunities for giving and receiving kindness wherever you are
• Transform your life through relentless acts of kindness
• Get unstuck and transcend your creative block through acts of kindness
• Trust more and count your blessings
• Set yourself free through forgiveness
• Develop a kind heart through meditation and spirituality
• Recognize the role of animals in teaching us how to love unconditionally
• Improve your health through spontaneous acts of kindness and compassion
• Multiply your favors through gratitude
• Be kind to yourself
• Cultivate the courage to follow your heart and intuition
• Find more reasons to continue having faith in humanity
Dr. Zeal Okogeri is an inspirational speaker, author, coach, and storyteller. A progeny of generations of African indigenous healers, Zeal leads meditation retreats to Tibet, Nepal, and India. He also travels around the United States and other countries sharing Kindness and Wisdom stories and teaching the Light and Sound Current meditation. Through his writings and lectures, Zeal inspires people to seek the highest and best for themselves. His philosophy is simple, and can be summarized in his celebrated quote: You can never go wrong by being kind.share this:
Shane
I just finished reading the classic western Shane by Jack Schaefer, which was published in 1949 and made into a movie in 1953. The novel set me to reflecting on what made it a best-seller that is still read in schools and has stayed popular for so many years. As the St. George Daily Spectum wrote: “Shane is a work of literature first and a Western second.” What qualities does it have that make it a work of literature?
Interestingly, the novel opens at a slow pace. Today’s writers are taught to open with action or grab the reader’s attention in some way. However, in this book the author takes his time introducing the characters and setting. The result is very effective.
Here is the opening paragraph: “He rode into our valley in the summer of ’89. I was a kid then, barely topping the backboard of father’s old chuckwagon. I was on the upper rail of our small corral, soaking in the late afternoon sun, when I saw him far down the road where it swung into the valley from the open plain beyond.” (p. 1)
For the next eight paragraphs, the boy continues to describe the horseman as he rides closer and closer, then finally into the farmstead where the boy observes him.
This slow pace allows the reader to see the stranger and enter into the world the boy, Bob, lives in. It is told from the intimate first-person point of view. We see the horseman, the small town, the river and the fork in the road as the rider draws closer and finally into view. Bob tells us the stranger’s clothes are different from the local people. He wears tall boots and a belt, both made of a soft black leather tooled in intricate design and a “finespun” linen shirt.
A child’s viewpoint is an interesting way to tell the story because Bob is a keen observer of life, yet he is young and doesn’t understand everything that’s going on. We, as the reader, left to our own interpretation of people and events, have deeper insights into what is going on.
The plot is fairly straight-forward. Bob and his parents live on a farm and a mysterious stranger rides onto their land and asks for a drink of water. The father, Joe, soon recognizes that Shane is the kind of man whom nobody will push around and asks him to stay as a farmhand.
Shane hires on and is loyal to the family, so when a powerful rancher tries to drive out the local farmers, Shane is pulled into the deadly conflict.
The story focuses more on character development than action and the topics of courage, honor, love and heroes are explored.
The book is relatively short, yet it will draw you in from the beginning and keep you reading to the end, leaving you to ponder its depth and layers of meaning.
The reader never does find out about Shane’s background and what it is he’s trying to escape. He finds serenity and inner peace on the farm, but this is broken by the tension in town between the farmers and the large rancher.
So what makes this a good novel?
- It has well-developed characters with heroic qualities that we care about.
- It has an interesting plot with high stakes, both in terms of how the outcome will affect the character’s lives and how it will force them to grow and change.
- It has great descriptions and metaphors. Here is the boy’s description of a stump. “It was big enough, I used to think, so that if it was smooth on top you could have served supper to a good-sized family.” (p. 18)
- The author, Jack Schaefer, shows the reader what’s going on instead of telling him, leaving the reader to interpret the situation.
- The story has good pacing that gradually builds to the climatic ending.
In conclusion, Shane is a great read for anyone who enjoys a good western. For writers, it’s an interesting study in what makes a good novel. As you read the book, look for the five qualities listed above and ask yourself the following questions:
- What draws the reader into a story and keeps them there?
- What universal values and ideas make the story worth telling?
I invite you to share your thoughts in the comments section. What do you think makes a good novel? What qualities do you look for in a book?
If you’ve read Shane, I’d also like to hear your thoughts on the characters and story.
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If you’re looking for a good book to read this summer, pick up The Walking Drum by Louis L’Amour. A friend recommended this book and I’m glad he did because it was an exciting and educational read.
L’Amour published his first novel in 1953 and every one of his over 120 books are still in print. There are 300 million copies of his books worldwide. He is one of the best–selling authors of modern times. Forty-five of his novels have been made into films.
He is best known for capturing the spirit of the American West. This novel, written in his later years, is a departure from those books. It takes place in the 12th century, starting out in France, crossing medieval Europe and the Russian steppes, and finally ending in Constantinople.
Young Mathurin Kerbouchard of Brittany is thrust into a violent, dangerous world when he returns from a fishing expedition and finds his mother murdered and his home burned to the ground. He barely escapes with his life only to be captured and forced to be a galley slave.
In L’Amour’s usual style, Kerbouchard goes from one adventure to another as he sets off on a quest to find his father (who is reported to be killed at sea or sold into slavery) and revenge his mother. Kerbouchard is bold to a fault, trained by the Druids to have an amazing memory, a seeker of knowledge who can speak and write many languages, an unusual talent for the times. He is skilled with a sword, but also relies on his wit as he works toward achieving his nearly impossible goals.
The book is broad in scoop and covers several years as Kerbouchard grows into manhood. He faces life with courage and honor, making friends and enemies along the way. He is a unique character whom the reader will remember long after they finish the book. We see the 12th century world through Kerbouchard’s active, intelligent mind. He travels from the dark, dirty cities in France where the Christian church forbids new ideas and books are rare, to the Moslem cities of Spain where books are plentiful and scholars are valued.
The book reads quickly, especially the first half, which is filled with one hair-raising adventure after another. But it slows down in places where Kerbouchard, a brilliant scholar interested in different ideas and places, tells us the history of the city he’s traveled to and shares his philosophy of life with other scholars.
In his Author’s Notes section, L’ Amour said he was fascinated by this period of history. He feels that our schools ignore two thirds of world. “Of China, India and the Muslim world almost nothing is said, yet their contribution to our civilization was enormous, and they are now powers with which we must deal both today and tomorrow, and which it would be well for us to understand.
“One of the best means of introduction to any history is the historical novel.” p. 462
L’Amour planned to write two more books about Kerbouchard’s adventures; regrettably, he died before he completed them.
I was partly intrigued by the book because I also researched this area of the world for my book Annoure and the Dragon Ships. My historical saga is set almost 400 hundred years earlier and takes the reader from Saxon England, to Viking Norway, to the Russian steppes. It was interesting to see how the world had changed over those four centuries.
If you’re in the mood for a fascinating, exciting adventure filled with treachery, violence, passion, love and friendship, check out The Walking Drum by best-selling author Louis L’Amour.
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Book review of Exit Five From Charing Cross by Valerie Keogh
Exit Five From Charing Cross by Valerie Keogh is told in first person. Jake Mitchell begins his story by talking about missed opportunities and wonderful lives almost lived. “A life like mine.” We find out he’s at work at his dream job where he’s worked eight years. He set out to be rich and achieved his goal. “money was God.” But now business has dried up and he’s struggling to hold on. He leaves work to meet his best friend Adam at a café at Charing Cross. Sitting outside the café, is a woman he’s instantly attracted to and hopes to see again.
After this initial opening Jake goes back in time and tells us how he met Adam, and then about his family. Over the course of the book we learn of the lies he told and how, once they were told, he had to keep lying to keep his secrets. One poor decision led to another as Jake set out to build a “wonderful life”. At the end of chapter four he says, “Didn’t know then, in my enthusiastic youth, that every little action, choice and deed had a consequence.”
What makes this book interesting is how we see the world through Jake’s eyes and hear his inner thoughts. We learn why he lied and what led to the destructive decisions he made.
The book was an enjoyable, quick read with a haunting quality to it. The story twists and turns in interesting ways and has a surprise ending. I reminded of the recent movie Gone Girl in that things are always what they appear.
I highly recommend it to readers who enjoy psychological thrillers. It’s well written with a strong plot and well developed characters.
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